Artist Statement
       
I’ve been working in clay since I was about six years old.  I started taking Saturday classes at Moore College of Art in Philadelphia when I was nine.  One of my first pieces I made there was an ten inch long alligator.  Something went terribly wrong in the firing and the blue-green glaze bubbled and separated all over the piece, but I loved it and I won a first prize blue ribbon at the final show for it.  The accidental success of that piece was one of the things that got me hooked on clay. 
 

 

Mandy Stapleford Clay Artist

studio

I attended The University of the Arts in Philadelphia and graduated in 1988 with a BFA in Ceramics.  I remained in West Philadelphia for a few more years, where I worked out of a third floor bedroom and carted my work five blocks to get it fired.  After Philadelphia I moved to the Pennsylvania Poconos and set up shop in my garage.  I made sculpture and pottery as well as cast production work.  During that time I produced and sponsored  an annual outdoor exhibition entitled “Sculpture on the Creek”.  Twenty-four plus artists displayed their works on 6 acres of land.  In this period, I was able to show my work in galleries from Philadelphia to the Poconos to Massachusetts.  I made production work as well as unique pieces.

In 1996, I left the east coast and headed to California and worked in the movie business.  After spending a year in Los Angeles, I headed back east, en route to the Berkshires, Massachusetts.  Along the way, I stopped off in Taos, New Mexico to help my friends' Abby Salsbury and Dean Pulver build a house. That was back in January of 1998 and I’m still in Taos...and I love it. Since then, I’ve bought land, built a straw-bale house and finally built my dream studio. 
          My work commingles human and animal characteristics.  I am very influenced by the Spanish artist, Antonio Gaudi and by gothic architecture.  Many of my pieces are human character studies, manifested in imp-like creatures.  In my more abstract work, I am influenced by nature and the organic form in general.